I had a hunch that combining Mara & Daisy would do something special, and I wasn’t disappointed. Introducing Portramax 400, an all-round, film-like ‘look’ for shooting LUMIX JPEGs…

Fujifilm Pro 400H is an iconic film stock, known for its soft and pastel colour palette with an emphasis on greens and magentas. Check out my LUMIX version here…

Lomography Color Negative 100 is a film stock that’s super punchy and super vibrant so if you aren’t afraid of colour… this one is for you…

This new ‘look’ has become by go-to black and white. It’s deep, sharp, flexible and I think has a really beautiful tone…

Out of my twin Portra-inspired LUTs, Mara is the slightly more subtle of the two. It has less saturation and contrast, but it is more adventurous in tone with softer yellows and deeper greens…

Out of my twin Portra-inspired LUTs, Maku is the punchier of the two. It has a stronger saturation and curve overall with rich vibrant hues and blues leaning pale teal…

With blacks and whites faded to grey, a unique contrast in the mid tones emulating a green filter effect, and combined with L.Monochrome D… my newest LUT ‘Orlock’ is truly special.

A bright, warm, saturated ‘look’ with a lovely overall pastel Kodak palette. Will work in a wide range of situations but is perfect for anything with bold bright colours…

Kodak Gold 200 is one of Kodak’s cheapest film stocks, which means it is one of their most used, well-loved and well-known too… so I wanted to get this ‘look’ right!

London Superia 200H is reminiscent of some classic Fujicolor film stocks. It’s a subtle, flexible ‘look’ with a focus on greens/magentas but still has a nice warmth for balance…

Sitting somewhere between Kodak’s Gold 200 & 50D is Malin Gold 50N. If you’re looking for a flexible, subtle and warm ‘look’ for your JPEGs give this one try…

This is the first of my subtle, flexible, every-day ‘looks’. Expect warm, brown, Kodak-like tones in your LUMIX images shot with Alfama 250B…

This LUMIX ‘look’ has been inspired by one of my favourite film stocks . The unique, dynamic, complicated but beautiful CineStill 400D. Check it out…

I’m really pleased with this new CineStill 50D ‘look’.. I love the muted colours and soft contrast of this film stock and having a LUMIX ‘look’ that matches that, is a lot of fun to shoot with…

A couple of years ago Lomography released LomoChrome Color ’92 and being born in 1992 myself, I was instantly intrigued. Check out my LUMIX ‘look’ inspired by this film stock here…

No matter what you call it, Kodacolor 200 or ColorPlus, I absolutely love the look of this film. It’s punchy, vibrant, warm and just an all-round great look for everyday use…

Inspired by a colour negative film praised for its retro charm, my ‘1992’ LUT will give an overall cool look with a particular focus on blues and magentas…

Inspired by an experimental colour negative film, my ‘Firebird’ has buckets of contrast, intense fiery reds and greens that explode…

Ilford Delta 3200 has very deep shadows but softer highlights and it is extremely grainy due to the fact it is designed for very low light situations. This is a really fun look to shoot with and uses my ‘Ash’ LUT and a Photo Style of L.Monochrome at its base…

Kodak Aerocolor IV is a film stock I have experience with shooting and one that I love the look of. The combination of dark greens and toasty warm tones that it captures is what has inspired this LUMIX look…