Ross’s Fujifilm Recipes
Fujifilm ‘recipes’ are the quickest and most fun way to get great looking images, straight out of the camera.
I’ve had so much fun creating some of my own which I am really proud of. Feel free to have a browse and try out any you like the look of!
I’d really appreciate a shout out on Instagram or YouTube if you end up using any of the recipes I’ve created below @rossandhisjpegs
Ross’s Popular Recipes
Nurture Nature
Provia
Dynamic Range: 200
Highlight: +2
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpening: 0
Clarity: 0
Grain Effect: Weak, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: Auto (R2 B-4)
Daily Astia
Astia
Dynamic Range: 100
Highlight: +1
Shadow: 0
Color: +4
Noise Reduction: -4
Sharpening: -2
Clarity: +4
Grain Effect: Weak, Large
Color Chrome Effect: OFF
Color Chrome Effect Blue: Strong
White Balance: AUTO (R4 B-4)
Canned Heat
Classic Neg.
Dynamic Range: 200
Highlight: -2
Shadow: +1
Color: -2
Noise Reduction: -4
Sharpening: 0
Clarity: +5
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto (R6 B-7)
Check out all of my Fujifilm Recipes below...
Check out all of my Fujifilm Recipes below...
Contrast Chrome
’Contrast Chrome’ is the recipe that I would plug in to someone’s camera if they were new to Fujifilm to seduce them with the colours. It’s lovely and contrasty, with a Weak Large Grain and medium Sharpness, medium Colour, Auto WB (with a R4 B-4 shift).
Lomo800 Electro
It’s still a mystery but all I do know is that the Film Simulation ‘Classic Chrome’ is about 95% colour accurate to Lomography Color Negative 35mm 800 (the biggest colour difference is probably found in the yellow/green tones visible mostly in grass)…
Fujipop Trio 2
One thing that took me by surprise regarding the roll of Fujicolor C200 was how saturated the images were. The blues and reds were so vibrant, absolutely popping out of the frame. When using the Fujipop Trio II Classic Negative Recipe one thing I really noticed was although the green tones were good, the red and blue tones lacked the same punch as the Fujicolor stock…
Chrome Fog
If you can’t get your hands on a Pro-Mist lens filter, this might be a good second option for that atmospheric foggy look. Check out some Chrome Fog JPEGs below taken on a foggy morning around Bangor, Co Down…
Crisp Chrome
The way I describe Crisp Chrome to people is that it’s like Soft Chrome on steroids…
