LUTs & LUMIX ‘Looks’
I’ve been using LUTs to colour my videos for years, but now that I can load LUTs directly into my LUMIX camera to shoot JPEGs, I thought it was time I started designing my own. As well as designing and loading in LUTs, recently I have been adjusting in-camera settings and creating what I have coined as LUMIX ‘looks’.
I’d really appreciate a shout out on Instagram or YouTube if you try these LUTs or ‘looks’ for yourself and if you like them, why not come back and drop a little something in the Tip Jar.
London Superia 200H
London Superia 200H is reminiscent of some classic Fujicolor film stocks. It’s a subtle, flexible ‘look’ with a focus on greens/magentas but still has a nice warmth for balance…
Fujicolor C200
The first 35mm stock I ever shot with was Fujicolor C200. It’s was a low cost film with classic Fuji colours. Here’s my LUMIX version…
Bright Kodak
This is one of those recipes I’ve been asked to adapt by a lot of people. It’s another one from FujiXWeekly and it certainly isn’t a mystery what this recipe is all about…
Pacific Blues
There’s something about the Pacific Blues recipe by Ritchie Roesch that just works for me. The over saturation, the deep shadows, the high dynamic range, it’s quite specific but I think it’s cool…
Classic Cuban Negative
With the help of the Fujify LUTs, I took it upon myself to tackle another of the most popular Fujifilm recipes out there, this time it’s Classic Cuban Negative by Osan Bilgi…
Reggie’s Portra
Reggie’s Portra by Reggie Ballesteros is maybe the most popular Fujifilm recipe ever created, so when Fujify released their LUTs for LUMIX cameras, I just had to try recreate the look for myself…
Classic Chrome
Replicate the look of Fujifilm’s much loved Film Simulation Classic Chrome with this Fujifake LUT…
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